In Realness

"In reality Dam van Huynh in collaboration with Tommaso Petrolo create a disquieting work of dance/theatre of epic proportions. An extraordinary feat of physical intensity that borders on the operatic."

Moving Eastman lands at Barbican Centre

"British Afro-Caribbean singer-dancer Elaine Mitchener doesn’t dance to the music but as it: a possession, an Eastman."

Van Huynh Company: Re:birth review – a swirling portrayal of the exhaustion of exile

★★★ "We’re seeing the confusion and exhaustion of exile, voices drowned out, the disquiet of finding yourself, unwanted, in a new land."

Review: Re:birth at The Place

★★★★★ "This is a performance which pushes at the boundaries of what dance can be, and there is a thrilling sense of danger in the way the cast (...) allow their bodies to twist and turn with abandon."

Re:Birth-The Van Huynh Company

"it is simply theatrical anarchism in its most beautiful form."

Dam Van Huynh, In Realness, Rich Mix

"The voice is a physical organ that sits somewhere between mind and body; Van Huynh choreographs for both with such force that Petrolo’s performance is exhausting and uplifting at the same time (...)"

Raw and fearless: Dam Van Huynh’s In Realness

"An exploration of resistance, queer sexuality, and gender politics performed with impressive range and energy by Tommaso Petrolo"

In Realness by Van Huynh Company | review

"A solo performed by Tommaso Petrolo and choreographed by Dam Van Huynh, a highly captivating, emotional and explicit work that challenges how we situate ourselves within(out) our society.”

Edinburgh fringe dance: Dep – review

★★★★ "We, and the dancers, are forcefully confronted with our frailty, but also, ultimately, with our capacity for regeneration. Life goes on."

I watched three days of nudity at the Edinburgh fringe – this is what I learned

"throughout Dep, I am on the edge of my seat.”