"In reality Dam van Huynh in collaboration with Tommaso Petrolo create a disquieting work of dance/theatre of epic proportions. An extraordinary feat of physical intensity that borders on the operatic."

"British Afro-Caribbean singer-dancer Elaine Mitchener doesn’t dance to the music but as it: a possession, an Eastman."

★★★ "We’re seeing the confusion and exhaustion of exile, voices drowned out, the disquiet of finding yourself, unwanted, in a new land."

★★★★★ "This is a performance which pushes at the boundaries of what dance can be, and there is a thrilling sense of danger in the way the cast (...) allow their bodies to twist and turn with abandon."

"it is simply theatrical anarchism in its most beautiful form."

"The voice is a physical organ that sits somewhere between mind and body; Van Huynh choreographs for both with such force that Petrolo’s performance is exhausting and uplifting at the same time (...)"

"An exploration of resistance, queer sexuality, and gender politics performed with impressive range and energy by Tommaso Petrolo"

"A solo performed by Tommaso Petrolo and choreographed by Dam Van Huynh, a highly captivating, emotional and explicit work that challenges how we situate ourselves within(out) our society.”

★★★★ "We, and the dancers, are forcefully confronted with our frailty, but also, ultimately, with our capacity for regeneration. Life goes on."

"throughout Dep, I am on the edge of my seat.”