PRESS

“In reality Dam van Huynh in collaboration with Tommaso Petrolo create a disquieting work of dance/theatre of epic proportions. An extraordinary feat of physical intensity that borders on the operatic.”

“British Afro-Caribbean singer-dancer Elaine Mitchener doesn’t dance to the music but as it: a possession, an Eastman.”

★★★
“We’re seeing the confusion and exhaustion of exile, voices drowned out, the disquiet of finding yourself, unwanted, in a new land.”

★★★★★
“This is a performance which pushes at the boundaries of what dance can be, and there is a thrilling sense of danger in the way the cast (…) allow their bodies to twist and turn with abandon.”

“it is simply theatrical anarchism in its most beautiful form.”