Following his artist residency at Wan Sha Performing Arts Center in Tainan (Taiwan), Dam Van Huynh reflects on what his has learnt and discovered.

"The audience and myself go on the same journey and try to understand what [home] means."

“Everything about my existence – the fact that I’m speaking through the form of dance and making artwork – is all political because I come from a displacement due to political implications."

"I think the most important lesson I have learnt through the years is the notion of narrative and re-narrative. To be able to find and narrate my own path and story rather than let others define me, has helped me to liberate my creative thinking, giving me a wider scope of approaches towards making work that interests me (...)"

Dam Van Huynh is interviewed on TV by London Live ahead of the London Premiere of Re:birth at The Place.

"As a queer Vietnamese artist, I began the work commenting on gender politics and sexuality but as the work developed it became a larger symbol for inequality experienced by many other groups. I reflected further upon this with the understanding that gathering voices through the piece is to acknowledge the importance of strength in unity when faced with inequality."