Dam Van Hunyh’s returning works, In Realness (2022) and Exquisite Noise (2024), are stubbornly loud as they delve into protest and identity. Huynh’s own sense of being, muddling in displacement, queerness …
“In reality Dam van Huynh in collaboration with Tommaso Petrolo create a disquieting work of dance/theatre of epic proportions. An extraordinary feat of physical intensity that borders on the operatic.”