PRESS

Sounding Out Protest and the Present

  • Interview
  • Dive(rse) Dance, 24 September 2025
  • Janejira Matthews

Dam Van Hunyh’s returning works, In Realness (2022) and Exquisite Noise (2024), are stubbornly loud as they delve into protest and identity. Huynh’s own sense of being, muddling in displacement, queerness

Undisciplined Festival: Queer Fury and Resistance in ‘In Realness’

  • Review
  • Dive(rse) Dance, 17 March 2025
  • Janejira Matthews

“In Realness offers an honest criticism of political bodies and ideologies, expressed in raging queer physicality.”

In Realness

  • Review
  • Latest, 13 March 2025
  • Andrew Kay

“In reality Dam van Huynh in collaboration with Tommaso Petrolo create a disquieting work of dance/theatre of epic proportions. An extraordinary feat of physical intensity that borders on the operatic.”

Moving Eastman lands at Barbican Centre

  • Preview
  • AIR MAIL, March 2025
  • Apollinaire Scherr

“British Afro-Caribbean singer-dancer Elaine Mitchener doesn’t dance to the music but as it: a possession, an Eastman.”

Van Huynh Company: Re:birth review – a swirling portrayal of the exhaustion of exile

  • Review
  • Guardian, November 2023
  • Lyndsey Winship

★★★
“We’re seeing the confusion and exhaustion of exile, voices drowned out, the disquiet of finding yourself, unwanted, in a new land.”